It’s Austen; come on. Of course I had to watch this again.
9 years they put their emotions on hold, and they thought they were done with each other. Fate, in the form of an extravagant minor royal of a father, brings the two back together in each other’s lives. Anne Elliot knows she still has feelings for him, but what of Wentworth? Has he gotten over her?
I always love watching this movie because it was in the little things that showed how both characters truly felt for each other: the nervous glance, the glare, the helping hand, the indifferent look, the angry message, the restrained and stiff stance, the dismissive meeting,
It’s the polar opposite of Austen’s most iconic work, Pride and Prejudice, which was all about big and grand gestures. I find myself appreciating the nuances of the protagonists’ actions.
Pride and Prejudice (2005)
Local and formal balls and sweeping declarations of love (albeit faulty and prejudiced and biased) and loud family members and love, love, LOVE.
As far as romances go, this could be the ancestor of modern-day romantic-comedies. Miscommunication and misunderstandings and bruised egos. This could easily be turned into a comedy of errors, but because Austen has written this so well, it would seem sacrilege to turn this into anything but a beautiful romantic film.
Oh just thinking of that sunrise meeting once again makes me melt.
English Only, Please (2014)
I’ve gotten glimpses of reviews that have declared this as THE romantic comedy for the A/B market here in the Philippines. I’d agree with them if I hadn’t seen That Thing Called Tadhana first, but that’s for a different post.
In any case, I agree with the suggestion that the romantic-comedy films in this country are substandard and unintelligent and cheesy. There is no wit in the storytelling nor beauty in the cinematography. Horrible wigs proliferate in the local romance films (comedy or drama, it’s the same horrible wigs)taking one’s attention away from the story and directing it to that mop of turd on the actors’ heads.
In THIS movie, though, there are no such distractions. You can focus on the story, on the characters, on the dialogue. You can focus on male lead Derek Ramsay as his character tries in vain to speak Filipino well even though in reality, he actually speaks the language fluently. You can focus on Kean Cipriano’s role as the asshole boyfriend and scream, “TANGINA MO!” at him in the cinema (yes, it really happened). You can focus on Jennylyn Mercado who really is just perfect for the role. She was feisty and intelligent but stupid when it came to love.
Which brings me to the writer, Antoinette Jadaone.
She has three films that I know of under her belt: Beauty in a Bottle, That Thing Called Tadhana, and English Only, Please.
All three movies seemed to revolve around how people become stupid in love. It makes you wonder how long she can work this angle without getting formulaic (notice the text inserts/commentary in all three films).
Footnote: The cafe scenes were shot in Cool Beans Library Cafe along Maginhawa St., Teacher’s Village, Quezon City.
A Christmas Wedding Date (2012)
This is a TV movie starring Marla Sokoloff whom I remember from Sugar and Spice and The Practice (TV). It was Christmas-themed, it was romance, so I watched it. It was meh as far as TV movies go, but it was still a pretty decent time-waster.